Mid August, and most days I feel like, this year, summer never really got started. Maybe it’s the weather, or the political climate, but something feels off-kilter. My potted veg and herbs are in shock; it’s been either torrential rain or temps in the 90s – sometimes in the same 24 hours – every day since they were planted. Sodden pots sit cheek by jowl with containers so arid they threaten to burst into flame. There won’t be much of a harvest this year.
Mid August, and the back to school sales have started. Being an eternal student at heart, I always get really excited about 3 ring binders, coloured pencils, pencil cases, and the like. Which is probably why I have about ten boxes in storage of said items. I’m a victim of stationery covetousness.
The kids playing on the block look like they’re done with summer. Perhaps they are apprehensive about returning to the restrictions of another year of school, of seeing if their old friends have changed, and of having to meet new people who may be friend or foe. Or maybe they’re just caught their parents’ malaise. Either way, the little girl that pushes the doll stroller up and down the street while wearing her mother’s high heels just doesn’t seem to have as much enthusiasm for the task these days.
Mid August, when we postpone the reality of the coming chill with a two week, overheated, ExTravaganza! Yes, the CNE began on Friday, with Burton Cummings and the boys kicking it off with their usual flair.
The Ex holds less appeal for me every year. I’m still mourning the loss of the Alpine Way, and my ears still keen to hear the dulcet tones of the barker demanding that we come to see the “Gorilla Gorilla Gorilla GURL!”
It’s all downhill after the Gorilla Girl leaves. I can’t even be motivated by fried chicken feet.
Mid August, and news that the legendary recording studio, Le Studio, in Morin Heights (about 90 kilometres north-west of Montreal,) has been destroyed by fire, possibly arson. This, coming just a week or two after news that a successful GoFundMe project had enabled musician Richard Baxter to begin renovating the old girl with a team of volunteers.
Founded in 1974 by Quebec record producer Andre Perry, the studio and residence was once the ‘go to’ spot for Canadian and international artists, including Rush, the Police, the Bee Gees, Sting, Roberta Flack, Cat Stevens, David Bowie, April Wine, Keith Richards and the Ramones.
But not me. I never even had the pleasure of visiting the place, which was a pity, because I spent some pretty formative years in the area as a teen. I’ve always liked to tell myself that Le Studio was built on the site of the old Alpino Lodge. I neither know nor care if that is true.
In the 60’s, my friend Marianne and I would camp by the little lake that wound it’s path around and about the Alpino, babysitting her younger brother, fishing for our food, and generally waiting for the weekend to arrive and the party to start. Those were the days when it was not only possible for a couple of 14 year old girls to be abandoned in the woods for a week at a time, near a lodge that catered to the wealthy and the jaded, with only an eight year old boy as companion and protector, but for said kiddies to not only survive, but thrive, and indeed have a very merry time.
What did we do all day, I asked myself recently. How did we fill all of the hours when we weren’t minding the brat, fishing, picking berries, tending the smoky fire, or reading soggy comic books and True Romance magazines? Mostly we talked, for hours at a time, about our dreams, hopes, and fears. Some days, I’d make Marianne laugh so hard that she’d pee her pants. If I was in a mood, I’d keep it up until her week’s worth of undies were all strung up on nearby branches.
And we’d wait for Friday night. On Friday night, Marianne’s mother and boyfriend would arrive from Montreal, bringing supplies, and freeing us from babysitting duties. On Friday night, we’d clean ourselves up as best we could, and present our under aged selves to the Lodge, where the full spectrum of Morin Heightians, converged for an evening of dancing and drinking. No one frowned on a young woman or man dancing with an older woman or man, or even a man dancing with another man. The point was the dance, the movement sparked by the music of a local combo giving it all they’d got. And no one asked for i.d.
When the night’s entertainment packed up, the teens that had been slouching on the lodge’s porch, smoking home rolleds and doobies that they would light with a wooden match struck on a boot sole or a pant zipper, would all pile into the back of some sixteen year old guy’s pickup truck. We didn’t need no steenking seat belts! And off we’d go, the gang of us, with maybe a dog, and a musical instrument or two for company, headlong down the steep road, high as kites, heading for the dam so that we could continue the revelry, at least until the purple micro dots wore off and/or the sun came up.
(My daughter told me recently that she’ll not allow her eight year old daughter to walk the two blocks to school by herself until Kay’s about twelve. Or maybe thirteen. And then, only if there’s a friend nearby who’ll walk with her. In the daytime. Two blocks away. Different times.)
Mid August, and many of my friends are celebrating the fiftieth anniversary of the Summer of Love. I remember schoolmates who got caught up in the hoopla and abandoned the city for hippie dreams, disappearing in a puff of smoke and patchouli, heading for communal farms that put the lie to the middle class dream of suburbia and two car garages. I wonder what ever happened to Donna, the dreamy blue eyed beauty that loved the Monkees as much as I did, but chose a hardscrabble life mucking out barns instead, determined to stand by her longhaired, drug dealing, man. Is she still living in rural Canada or America, amidst macrame pot holders and peace symbols? Or did she wake up one morning and realize in a horror stricken panic that she could have been and done anything she wanted to, had she chosen differently?
Mid August, and my flabber is still ghasted when I contemplate the summer madness that allows some, in the U.S., and sadly, even in Canada, to agree with Trump that the removal of these ‘beautiful’ statues erected to honour Confederate generals would be a hardship upon those who might not otherwise have the opportunity to see such ‘works of art.’
Can you hear the dog whistle in that observation?
Because, it is implied, even if the art is not Louvre-worthy, that people of colour, and the inner city poor, should at least have the opportunity to feast their eyes upon such statuary. That the monument honours a man in support of slavery and a slave trade that treated the park’s attendees ancestors as human cattle, is a mere peccadillo in their eyes.
A year ago, Zyahna, a young, African-American resident of the city of Charlottesville, petitioned for the removal of one such statue, and to have the park she and her friends frequented re-named from Robert E. Lee Park to Lee Park, saying, “I am often exposed to different forms of racism that are embedded in the history of the south and particularly this city. It makes us feel uncomfortable and it is very offensive.
When I think of Robert E. Lee I instantly think of someone fighting in favor of slavery. Thoughts of physical harm, cruelty, and disenfranchisement flood my mind. … I am offended every time I pass it. I am reminded over and over again of the pain of my ancestors and all of the fighting that they had to go through for us to be where we are now. Quite frankly I am disgusted with the selective display of history in this city. There is more to Charlottesville than just the memories of Confederate fighters. There is more to this city that makes it great.
Let’s not forget that Robert E. Lee fought for perpetual bondage of slaves and the bigotry of the South that kept most black citizens as slaves and servants for the entirety of their lives. As a result, legislatures of the south chose to ignore and turn a blind eye to the injustices of African Americans from Jim Crow and anti-black terrorism to integrated education. These are all some things that this statue stands for. It is about more than just an individual, but rather what that individual believes in and the things that he stands for.”
In 2016, the petition fell just 270 supporters short of it’s goal of 1000 in concurrence with her appeal. A year later, the city council did indeed agree with young Zyahna, putting into motion a series of events that would ultimately lead to the death of one young woman, and two police officers.
Make no mistake; the decision to remove the statue was a democratic decision. The reasoning behind the removal was sound, fiscally conservative, and sensitive to ALL of the residents of the city, not just those who wanted it to remain.
The only ones incensed by the decision were those who continue to believe that the emotions and history of white Americans are innately superior to those of other colours. Even the sidestep, that defends the artistry of the statues while denying the inherent racism implied, revolves around the right of white Americans to continue fawning over defeated, racist and bigoted leaders over the sensibility of those who were physically, emotionally, and financially damaged by those same leaders.
“Two things only the people anxiously desire — bread and circuses.”
Will this cataclysmic rift in ideology tear the country in half, ending in a Civil War Part Deux? And, more importantly for we in the North, as we read the words of many Canadians on social media agreeing with this cockeyed rationale for racist ‘art’, is Canada moving relentlessly towards a similar, more openly racist and bigoted point of view?
Mid August, and it’s never felt so much like that black day in July, 50 years ago …