Mother’s Day, CMW and This is America


mum with r and j 1960.jpg 001My mother has been gone since April of 1992 … 26 years now. There are days when it feels like we were playing a spirited game of Rummoli only yesterday, and other days when I can’t remember what it was like to have my own little family. After my mum and grandmother died just days apart in that horrible year, the tenuous link we had with Montreal was broken. While I’ve been ‘home’ a few times since then, Quebec hasn’t really drawn me back for decades.

I thought of my mum on Thursday, when I spoke with a small boy who was waiting for the bus, holding a plant pot with one pansy growing in it. He told me, with great joy, that he also had a poem written in French for her, and that he’d drawn her a card. His face lit up as he told me “she’s gonna have so many presents!

mum with r and j 1964 001There was such a lot of delight in his expression as he counted up the riches he’d prepared for his precious mother. We forget, over the years, how good it used to feel to be able to gift our loved ones with something that we’d made specially for them. It might have been a paper plate with some glittered macaroni pasted to it, or a wobbly cut out paper heart, with our shaky handwriting telling them, “I LOVE YOU,” but it was what we had to give, and we gave it from our hearts.

Mums never ask for all that much, when you’re growing up. Maybe they ask you to help with the chores, or keep your room clean, but most mums know that you’re growing and learning, and that all they can try to do is to get you from the day you are born until the day you two say goodbye, with as little heart ache and heart break as possible.

Missing my mother, and wishing my two beautiful daughters a very happy Mother’s Day.

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My butt is dragging today, even after collapsing into a solid ten hours of sleep last night. I spent the last several days doing all things Canadian Music Week, including working as a ‘day host,’ expediting the conference panelists, and getting out to a few of the events under the CMW banner. I straggled home last night from a long day at the show, followed by a scrumptious buffet at the Rivoli, where Music Nova Scotia and the Dreaming Out Loud groups were presenting the annual TIKI LOUNGE extravaganza.

CMW Greg Lefsetz et all May 2018

During the conference I spent most of my time onsite in the Speaker’s Green Room. In this pic, our long time associate Greg Simpson confers with his speaker registration aides, Sue Mills and Cassandra Tari. Behind them, propping up the wall, is Steve Lillywhite, uber producer and musician whisperer of U2, the Rolling Stones, XTC, Dave Matthews Band, Peter Gabriel, the Talking Heads and a host of other worthies, as he chats with Ralph Simon, who is is acknowledged as one of the founders of the modern mobile entertainment & content industry, and Bob Lefsetz, music industry analyst and critic, and author of the Lefsetz Letter.

In May of 2015, the last time that Bob Lefsetz had spoken at CMW, I had asked him if we could meet, so that I might interview him for this column. Although he agreed at the time, circumstances conspired, and I missed my window of opportunity.

So when I saw him seated towards the back of the Green Room on Saturday morning, I seized the day, introduced myself, and reminded him of the last time we’d almost connected. He immediately said that he’d be happy to talk with me ‘later’ – but he’d be leaving the Conference around four p.m.

So I waited patiently, hoping for a time when he might have a minute free. But shortly after Steve Lillywhite left the room, Eric Alper flew in the door and plonked himself down for a chat. Meanwhile, my duties as Day Host kept me rather busy, and I spent a lot of time getting speakers organized and then off to their panels in a timely manner. By the time I realized I’d once again missed my interview, it was about 3:10 p.m. I’d just finished introducing legendary music journalist Larry Leblanc, who was about to begin an interview with Marcie Allen, a trailblazing entrepreneur who is known as the Queen of Brands and Bands. My duty done, I set off to try and find the elusive Mr Lefsetz.

About an hour later, I conceded defeat. Apparently, this interview was not to be.

PostScript: If you are one of the many who receive the Lefsetz Letter, then you will have received his CMW wrap-up when it arrived last night. In his p.s., he mentions that he’d spend his last half-hour on the site at …. the Larry LeBlanc/Marcie Allen seminar I’d introduced.

Wrong Way Roxanne strikes again.

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We have to talk about Donald Glover/Childish Gambino‘s new video – This is America. Firmly in the tradition of protest songs such as GrandMaster Flash‘s White Lines, the song/video demands multiple, critical, and admiring viewings.

This video is almost enough to make music videos relevant again, rife with symbolism and casual observations that nail the truth of the racist gun culture that America, as distracted as a kitten by shiny strings and dance fads, chooses to ignore.

jim crow character this is americaThe main character, stripped to the waist, pulls facial expressions and uses bodily movements that seem to be modeled on Jim Crow, a minstrel show caricature, which white actors would perform in blackface, acting out black stereotypes. His movements distract from the chaos that plays out in the background, as behind him, people on cellphones film the action while ignoring the violence and rioting going on all around.

(The Jim Crow Laws were put into place after the Civil War, and were a system of racist local and state laws to keep the ex-slaves in their place, and designed to enforce segregation and oppression in the Southern American states.) this is america imageAfter both of the shootings, the guns are treated with care and respect, and gently wrapped with red cloth. The guns are valued over human lives, as the victims are either dragged away or left lying in their own blood.

Between shootings, the exaggerated dancing seems to be a commentary on how America prefers to focus on entertainment and distraction rather than to have a discussion on gun control, while dismissing the dead with an airy assurance that they are sending “thoughts and prayers.”

this is america commentIn the background of one scene, Death, riding a pale horse, and a biblical symbol for the apocalypse, gallops by, pursued by a police car. Everyone is too caught up in dancing or in their own anarchy to focus on the bigger picture of the violence going on.

In the last scene, Gambino, surrounded by vintage cars representing America’s economic stagnation, lights up a joint, and it is then – rather than during his gun rampage  – that the police begin to chase him. In the tradition of black American history, he has to run to save his life.

This Is America is a strong, artistic statement that will stand as valid commentary on today’s Divided States of America.

 

Put On Your Dancing Shoes!


jennieJennie is a party. Jennie will brook no voyeurs on the voyage. You must be involved, you must eat, you must drink, you must dance! You must participate, because “fun doesn’t just happen! You have to make it happen!“ Jennie turns the world on with her smile.

I love Jennie. I met her last night at the Rally, where Pat Blythe and I had gone to see the sold out Beatles’ tribute, “Yeah Yeah Yeah.” The place was packed, the dance floor jammed. Everyone sang along to the timeless songs at the top of their lungs.

Like Jennie, everyone was there to make fun happen. And much fun did indeed ensue, as we danced the Swim, the Frug, and countless other dance variations until our feet ached.

yeah yeah yeah the bandThe Yeah Yeah Yeahs are Frank Russel on drums, Kevin Rolston on bass, Bruce Nasmith on keys and guitar, and Don Maclean and Frank Zirone, also on guitar. Everyone sings. Everyone is a top-notch, well respected musician. And clearly, every one of them loves classic Beatles music.

Their tribute, complete with screen presentations, appeals to a wide age range, but skews mainly to the boomer base. Although the group has performed only infrequently in the past year, every outing is a sold out success. And at each event they gather more fans who can be counted on to spread the word, and anticipate their next appearance.

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davidceliaFive years after releasing his third CD, “I Tried,” David Celia is back with another eclectic mix of country folk, pop pedal steel, and reggae infused whimsy. The new CD “Double Mind” is a wander through a poet’s thoughts; by turns gleeful, introspective, determined or questioning, but always with Celia’s patented quip in the tale.

Following a successful European tour, David kept a low profile, with limited exposure, prior to Thursday’s CD release at the Great Hall. What a beautiful venue! The room lives up to it’s name, with a soaring ceiling ringed by a second story walk around balcony.

The musicians for this showcase gig were the venerable Cleave Anderson on drums, Tim Jackson on bass, Jay Swinnerton on keys/vocals and Burke Carrol on pedal steel. Ariana Gillis joined the group briefly, contributing vocals to the title track, as on the album.

I’ll be honest; I prefer hearing David’s songs in a more intimate room. His songs are thoughtful and intelligent, and beg to be front and center, not background music. Listen to the whole CD at http://exclaim.ca/music/article/david_celia-double_mind_album_stream

The Grind, from “Double Mind.”

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xprime-pm-coverI’d been looking forward to Xprime’s CD release gig for months, particularly after the sneak preview we’d had just before CMW. And as always, the boys didn’t let me down.

I can hardly believe how far the group’s writing has come in just a year or two. The new songs on PM reflect a maturity and craftsmanship that is both of the moment, and yet timeless. You’ll wonder where you heard earworms like “All to Myself,” or “I Can’t Take No More” before, but it’s all new baby, and it’s infectious pop at it’s best.

Don’t take it from me – stream the whole CD at http://xprime.ca/

Rube GoldbergGab Sid, Neil Carson, Steph Mercier, and Phil Taylor are all lead singers, but skilfully work together to create distinctive harmonies within each song. Live, you can’t take your eyes off the stage, as they bounce and pogo and careen in a controlled frenzy. An Xprime gig is not just a concert, it’s a well-oiled Rube Goldberg impossibility machine.

So I was already smiling before even arriving at the Rivoli, where we ran into Neil and Phil on the patio pre-show. They were heading off to grab a bite … hey, they’re growing boys! … whilst Pat, Bob Segarini and I were in pursuit of adult beverages.

xprimeRivoli Jun 2015We’d barely had a chance to grab a bevvy and snag a place to park our gear before the guys bounded on stage, and hit their marks in an explosion of energy and aural goodness. They pounded the maddened crowd into submission with great tuneage and an inexorable visual onslaught. I couldn’t stop grinning and singing along as Pat slunk through the crowd, taking photos of the group in action. (She’ll have those photos for you on Wednesday.)

And, inevitably, Pat and I braved the standing crowd to bust some moves. I’ll never understand why Toronto audiences refuse to dance. You’ll see the toes tapping, and the hips swaying, but apparently actually dancing to your favourite band strikes fear into the hearts of those too frightened to blow their cool by giving in to the beat.

xprime runningIt’s like Jennie said. “fun doesn’t just happen! You have to make it happen!“ Xprime opened the fun door and laid down the boogie, and a few brave souls followed that funky music. Toronto, you’ve got nothing to lose but your dignity and a little shoe leather. It will be worth it.

By set’s end, I was a little breathless, but exhilarated and clutching an Xprime tee shirt. The boys will be criss-crossing Ontario through the next month, with stops in Kingston, Peterborough, Sarnia, Windsor and London. Grab any chance you get to see them. Catch them at your local venue before they’re a big ticket experience. This is a band on the move, ripe for the plucking by some impresario who can pair them up with a major headlining act. It would be criminal not to get Xprime’s music and energy in front of international audiences.

And when you do go to see them … dance, for gawd’s sake!

(originally published http://bobsegarini.wordpress.com/2015/06/07/roxanne-tellier-put-on-your-dancing-shoes-toronto/

Fighting For The Right To Protest


One week ends and another begins. It’s been a tough couple of weeks for many, even more so than other weeks. After a bitterly cold and seemingly unending winter, Toronto’s spring has yet to settle in, as it jumps from sweltering daytime highs to overnight lows that wreak havoc on wardrobe choices and spark terror in the hearts of gardeners. Yesterday’s cold rain came and went in great sweeps and gusts, ripped my umbrella inside out, and left me soaked and miserable as I waited for that most elusive of creatures – the dreaded Lawrence Bus. It’s a hard rain, baby.

C51 pinsI had intended to join the thousands protesting Bill C-51 at Queen’s Park, but the downpour, a lack of bus fare, and a husband increasingly concerned by possible repercussions due to my outspoken opposition to our government, kept me home.

BILLC51 protesters Toronto

For those who think that opposition to the Bill is melodramatic and all conspiracy theorish, ask yourselves; is your concern that the protesters will be beset by terrorists? Or that the protesters will be stealthily added to a police file, arrested for attending a rally, audited mercilessly, or simply have their characters assassinated, and their passports taken away?

Think I’m exaggerating? A new law became effective on Friday. “The Ministry of Citizenship and Immigration says it would revoke citizenship for anyone found guilty of terrorism, treason and high treason, and spying for a foreign government.” And bear in mind, terrorism as defined by the bill includes “activity that undermines the sovereignty, security or territorial integrity of Canada” that includes “terrorism,” “interference with critical infrastructure” and “interference with the capability of the Government in relation to … the economic or financial stability of Canada.

Which means that protesting the Pipeline, or even Monsanto, is loosely covered under the bill, as terrorist acts interfering with Canadian economics.

WW2 vet against c51There will, if this law is not blocked, be no checks left on state power. State Security will operate outside the law. Citizens will be convicted on secret evidence in secret courts. Citizens will be subject to arbitrary searches and arrests. Due process will be eradicated. Internal security organs will serve as judge, jury and executioner. The outward forms of democratic participation — voting, competing political parties, judicial oversight and legislation — will remain, but become meaningless forms of political theater.” Chris Hedges on Bill C-51.

The Canadian arm of Amnesty International indicated that the anti-terrorism bill could be used to target environmental activists and aboriginal protesters, or any other form of protest without an official permit or court order.

Bill C-51 “opens the door to collecting, analyzing and potentially keeping forever the personal information of all Canadians,” including every instant of “a person’s tax information and details about a person’s business and vacation travel.”

It’s pretty ironic that Canada is set to ramp up security, just as America’s NSA has been told to stop collecting citizens’ private information.

senate votes to kill NSASo basically it all boils down to a Senate debate between those who say we must give up some liberty to keep us safe, even though it doesn’t, and those who believe we must protect our liberties, even though they won’t.” — Jon Stewart

Yep. And same thing here. In a matter of days, the Senate will vote on whether to accept the Bill or not. Ergo the protests across Canada, as 67% of Canadians do NOT want the bill passed. At this stage, official word is that “A Senate committee is offering to conduct a review of Canada’s new anti-terrorism powers five years after Parliament adopts Bill C-51, and is calling on the government to quickly adopt new measures to fight terrorism and improve its existing counter-terrorism operations.”

And that’s very daunting. And a real blow to Freedom of Speech and Canadian democracy.

But don’t take my word for it … ask the Raging Grannies of Ottawa.

They’re game, these Grannies, if a little distracted. And brave.

Or ask Cathy Cook, who wrote and performed this blues, empathizing with victims of Stephen Harper’s contempt of aboriginals, women, environmentalists, and veterans.

Or the Ontario based singer/songwriter Terry Tufts, who’s written several songs on our messed up government, and lack of choice in the upcoming election.

Dirty Little War – Written And Performed By Terry Tufts

If nothing else, it seems like we’re finally getting new Canadian protest songs. What is concerning, however, is that the new protesters all seem to skew to the higher end of the age spectrum. Like Dennis Jones, a musician and songwriter based in Dartmouth, Nova Scotia, who’s been playing guitar and singing for 48 years.

Or Ian Patton, a 5-string banjo player/composer from Edmonton.

Or Halifax based Mike Chandler and Margaret Anne McHugh of SolidariGLEE

I find it interesting that the songwriters protesting this Bill are middle-aged and older. People of all ages are attending rallies for this and other protests, so there are certainly younger voices available. I’m not sure if the lack of participation is due to apathy, a dread of the folk music scene, or a lack of information. Maybe it’s a mix of all three.

Let’s close out with Stevie and the ConserviCats singing the praises of the new Secret Police Bill C-51.

Right then, enough with the politics … How’s about some new music?

This moody ballad is from Vintage Trouble’s first album. Their next release, 1 Hopeful Rd., is due to drop August 14th. Currently, the band is opening for AC/DC in Europe. Live, these guys are monsters, as several of us here at DBAWIS can attest.

Quirky singer/songwriter David Celia has a record release party set for June 4 at the Great Hall. Here’s a taste of the new CD.

Rats! I missed Food Revolution Day, Jamie Oliver’s global campaign to put compulsory practical food education on the school curriculum, on May 15th!

At least we can watch the video. Here’s Jamie with Ed Sheeran, Paul McCartney, Jazzie B, Professor Green, Alesha Dixon, Jamie Cullum, Mr Hudson, Hugh Jackman, Us the Duo, George The Poet, Che’nelle, DJ MK and The London Youth Choir

And of course, don’t forget that Xprime will be playing their new album at their CD release party at the Rivoli on June 4th. See you there!  Xprime CD Release June 4

(originally published at bobsegarini.wordpress.com/2015/05/31/roxanne-tellier-fighting-for-the-right-to-protest/)