“Fame … makes a man take things over …. puts you there where things are hollow”
If you were a baby boomer in the sixties, you most likely never knew anyone who was ‘really really’ rich. There was a kid in my school whose dad was a famous football player, but I didn’t know her well. And there was another friend who came from Texas; they had a big house, and even had a maid, who let us make chili and mess up the kitchen.
I had relatives who had oil patch money – they didn’t come around to many family parties, though. They likely got tired of being hit up for loans that would never get repaid.
When you think about it, one of the most famous, and presumably wealthiest, person with a high profile, back in those days, was Elvis. And by today’s standards, Graceland isn’t exactly the Taj Mahal. Not with all that shag carpeting. But for the time, it was high glam.
As a child, I knew, through reading, that there had been times in history when some people had attained obscene wealth, usually by conquering another country, and by subjecting those natives to their will. Those people were called kings, and whatever they wanted was granted to them, for their skill in warfare.
England had a royalty, but they wore sensible shoes.
I didn’t look up to those people; I never wanted to be ‘royal’ It seemed a pretty high price to pay for a life lived entirely in the public eye. And back then, there were a lot of people who wondered if the trade off of privacy for public adulation was a good one.
Now, of course, people will do anything to be seen, hopefully to be admired, for whatever it is they can do to be different. Tattoo a snake on your face? We’ll only be impressed if you’re the first to think to do so.
“Could it be the best, could it be? Really be, really, babe?”
I don’t know if it is a Canadian way of thinking, but I remember how most people I knew, growing up, adhered to the ‘tall poppy syndrome‘ … that meant that you didn’t want to stick your head up too high, or blow your own horn a little too loud, because you’d be sure to get cut down to size if you did. The syndrome is basically a way of sneering at those who revel in having a ton of money – which we assume is ill-gotten gains – or of seeking fame in public life.
In the seventies, you’d have been more likely to hear someone snigger, “geez, who does he/she think he/she is!” when a Canadian even got a mention in American media.
We did not put many Canadians on pedestals for their achievements, though we’d often get a little warm feeling when we felt like we’d snuck a Canadian through, behind America’s back. Like that William Shatner guy, with the weird way of talking. His mum had an acting school on Girouard in Montreal, so he was one of the good one’s.
We had our own awards, our Junos instead of Grammys, our Genie awards instead of Oscars, and by geez, that should be good enough for any Canadian! Just look at that Walter Ostanek fella, and all his polka Grammy wins! Does HE look happy? Now, you just go practice your accordion, and try not to get all stuck up and big headed!
“Fame …. what you like is in the limo”
And then came …. rock and roll hedonism.
“In the seventies … There was more excess, more hedonism, more drugs, more attitude, more sex, more style, more enthusiasm. Just?… more.” (The Telegraph, UK)
I’m not saying that the days of mud sharks, Whovian displays of hotel trashing, and the deaths by overdose of nearly every icon of the day opened the door to the pedestaling of the rich and famous….
but it helped.
The austerity of the post war years, and the drive and eventual success of the lower class kids, who knew the only way to get out of soul crushing poverty was to get into sports or rock n roll, became the envy of those who wondered what it would be like to literally have the world and all of it’s glories at their feet … drugs, drink, the most beautiful women in the world … it could all be yours, if you just cracked the Top Ten Charts.
Mo’ money, mo’ problems. Some of the luckier and richer rockers listened to their dear old dads, or to the managers and accountants who flocked to help funnel some of this largesse into safer investments, like property. And sadly, some of those ‘helpful’ advisors turned out to be there with the intention of taking advantage of the silly geese now laying multiple golden eggs.
Fame and wealth are on a sliding scale, as the wiser of the nouveau riche artistes soon learned. And if those musos wanted to keep at least some of the moolah that was coming in, in order to pay for their growing entourages, they’d have to learn to manage, manipulate, and increase their funds, just like the robber barons of the last century had done.
And off they went, to the tax havens…. and began to grow their own little dynasties …
“Fame, “Nein! It’s mine! is just his line … to bind your time, it drives you to, crime .”
We aging hippies, especially those of us who chose careers in the arts, might not have prioritized the acquisition of wealth, but that didn’t mean we couldn’t drool a little when these new ‘lifestyles of the rich and famous’ were dangled before us, in the mid eighties.
MTV glommed onto that envy, and promoted the lifestyles of celebrities in shows like “The Fabulous Life Of … “ and “Cribs.” These quasi reality features pretended to give the plebes a glimpse into the opulent homes, glamorous lifestyles, and vacation playgrounds of those musicians who had ‘made it.’
FAME … and wealth, were now what everyone wanted to achieve, by any means possible. Oh yeah, it was all about the Benjamins …
“Fame … what you get is no tomorrow … “
And we bought it .. oh yes, those of us who looked on and envied the lifestyles of those who had cracked the money and power code, wanted in on the fun.
“Americans are accustomed to talking about fame using the heady language of the cosmos: the celebrity as a celestial truth, situated above us; the superstar as a force in the firmament, all heat and light and gravitational demands. Michael Jackson’s environmental form of fame—music that permeated people’s lives, iconography that saturated American culture—anticipated the intimate version of celebrity that is the default today. It is fitting, in that regard, that celebrity itself functions as a spectral character in Leaving Neverland. Jackson was acutely aware of the affordances of fame; he leveraged them, the documentary suggests—and, ultimately, he weaponized them. Joy Robson, Wade’s mother, recalls Jackson making a request of her; she recalls, as well, that when she refused it, he coolly informed her: “I always get what I want.”” (The Atlantic, March 2019)
This year has seen the release of several documentaries that question what the pedestaling of fame has done to our vulnerable young women and men. With the allegations in Leaving Neverland and Surviving R. Kelly, we also need to be aware of what fame does to the psyches of those who wield that much power.
There have always been camp followers, disciples, those who believe that proximity to what they covet, for even a few moments, raises their own profile and value amongst those who have not had the same access to the royalty of their time.
When those who possess power of any potency use manipulation, a righteous fear, and their fame/perceived authority to get what they want, they are abusing that power in order to exploit vulnerable people for their own advantage or gain. And even if those people go willingly to the abuse, it’s still abuse.
Now, the funny thing is that, somewhere along the line, we all started to think that those who achieve fame and financial reward for being good at one thing, like music, or business, could translate that magic to other careers.
And strangely enough, in a culture that appears to embrace a meritocracy, those who seek fame and power somehow manage to drape the mantle of unique talents upon those whose rise to fame may well have simply come from a well placed endorsement, a reality television episode, or a sex tape featuring some very, very large buttocks.
We would never expect our dentist to take out our appendix or fix our plumbing, but for some reason, we think that someone who has managed to acquire – by hook, and likely crook – a large amount of money, should be given free reign to guide a country, or should be allowed to tell us who and how to worship. The mind boggles.
The political ‘base’ of a country is as subservient to a populist politician, as a congregation is to a hyperbolic preacher, or a groupie or ‘musical prodigy’ is to a music mogul. There’s a parallel in the abuses.
Dangling the promises of future prosperity, they will assure their acolytes that there is a brilliant future awaiting them, if they’ll just listen to their master’s advice. The prey might wonder at what is asked of them, if they follow this path, and they may be reluctant to give their all, without the assurances, as false as they may be, that their faith will bring them enormous rewards in the end.
The followers will put that preacher, or politician, or musical ‘genius’ on a pedestal, and make that person their whole world, believing that their devotion and loyalty is as strongly returned.
But eventually, and inevitably, that faith is abused.
Our adoration of those with fame and wealth blinds us, and when those whom we’ve put on a pedestal are toppled, our beliefs in our selves is fractured.
What goes up .. must come down. At some point, the blinders fall off, and we see that those we call gods and kings are just selfish, spoiled, narcissists, and that we are the toys and pawns they use to satisfy their own whims and urges.
2011 … “A new study co-funded by the Gates Foundation, however, portrays the ultrarich as lost souls burdened by the fears, worries and family distortions of too much money.”
Yeah yeah. Cry me a river.