Ain’t Gonna Play Sun City


Bruce Springsteen’s refusal to play North Carolina because of new, drastic LGBT laws might have shocked some people, but it didn’t surprise me at all.

Bruce Springsteen and the E Street Band cancelled their Greensboro, NC concert because of the state’s new law blocking anti-discrimination rules for the LGBTQ community. The so called “bathroom law” clause in the bill forbids transgender people from using the restroom that matches the gender they identify with, and that’s a real problem for transgendered people.

missippi bathroom lawsSo far, North Carolina is just the latest state to go this route, following in the footsteps of Mississippi and those looking to do something similar: Illinois, Kansas, Massachusetts, Missouri, Tennessee and Wisconsin.   As of last Tuesday, the National Center for Transgender Equality was tracking 49 bills across America, 32 of which dealt with bathroom access. More than a third (12) of those bathroom bills are still actively being considered.

From Funny or Die …

https://www.youtube.com/watch?v=WqASSN5S2CI

Also tucked inside North Carolina’s HB2 act is a sneaky little Trojan horse that strips workers in the state of the ability to sue under a state anti-discrimination law, a right that has been upheld in court since 1985. “If you were fired because of your race, fired because of your gender, fired because of your religion, you no longer have a basic remedy,” said Allan Freyer, head of the Workers’ Rights Project at the N.C. Justice Center in Raleigh.

Conservative media and internet pundits sprang to attention at Springsteen’s decision. Most postings were sad admissions of the lack of truly ‘conservative ‘artists, and the pain it caused them to  have to be exposed to thoughts unlike their own, all in the name of entertainment. Like this poor fellow …

 “if I refused to watch any movie or show, listen to any music or laugh at any jokes by people who are flaming liberals, entertainment options would probably come down to a choice between Ron White or watching paint dry.”

States-transgender-lawRepublican Mark Walker unwisely weighed in on the controversy. “I consider this a bully tactic. It’s like when a kid gets upset and says he’s going to take his ball and go home.”

No, sir – it’s the state that’s doing the bullying. Springsteen is reacting to discrimination, and the loss of civil rights, levied by the state. And so is PayPal, recently cancelling its plans to open a new global operations center in Charlotte, that would have employed 400 people, following the passage of the law. Add to that basketball great Charles Barkley, who has urged the National Basketball Association to move its All-Star Game next year away from Charlotte, N.C., unless the law is repealed.

Springsteen’s been down this road before – remember Sun City?

sun city artists againstSpringsteen, Steve Van Zandt, producer Arthur Baker and journalist Danny Schechter gathered  together what rock critic Dave Marsh called  “the most diverse line up of popular musicians ever assembled for a single session,” in 1985 to record an album, and video, protesting apartheid in South Africa. The artists also pledged to never perform at Sun City, as long as apartheid was an issue. The group were dubbed Artists United Against Apartheid.

The Sun City video, described by Schecter as “a song about change not charity, freedom not famine,” featured  Miles Davis , Kool DJ Herc, Grandmaster Melle Mel, Ruben Blades, Bob Dylan, Pat Benatar, Herbie Hancock, Ringo Starr and his son Zak Starkey, Lou Reed, Run–D.M.C., Peter Gabriel, Bob Geldof, Clarence Clemons, David Ruffin, Eddie Kendricks, Darlene Love, Bobby Womack, Afrika Bambaataa, Kurtis Blow, The Fat Boys, Jackson Browne, Daryl Hannah, Bono, Peter Wolf, U2, George Clinton, Keith Richards, Ronnie Wood, Bonnie Raitt, Hall & Oates, Jimmy Cliff, Big Youth, Michael Monroe, Stiv Bators, Peter Garrett, Ron Carter, Ray Barretto, Gil Scott-Heron, Nona Hendryx, Lotti Golden, Lakshminarayana Shankar and Joey Ramone, with the signature background vocal sound created by Lotti Golden, B.J.Nelson and Tina B.

From Wikipedia: “The song “Sun City” was only a modest success in the US, reaching #38 on the Billboard Hot 100 chart in December 1985. Only about half of American radio stations played “Sun City,” with some objecting to the lyrics’ explicit criticism of President Ronald Reagan’s policy of “constructive engagement.” Meanwhile, “Sun City” was a major success in countries where there was little or no radio station resistance to the record or its messages, reaching #4 in Australia, #10 in Canada and #21 in the UK. The song was banned in South Africa.”

Said Jackson Browne at the time, “Sun City’s become a symbol of a society which is very oppressive and denies basic rights to the majority of its citizens. In a sense, Sun City is also a symbol of that society’s ‘right’ to entertain itself in any way that it wants to, to basically try to buy us off and to buy off world opinion.”

Could the Boss have seen North Carolina’s new law as anything other than “very oppressive and a denial of basic rights?”  Of course not.

The apartheid regime in South Africa finally ended in 1994.But injustice and discrimination flourish around the world.

Almost unknown, and virtually invisible, is a newer group against apartheid, this time in artists against apartheidthe Middle East. (ArtistsAgainstApartheid.org). No matter which side of the political fence you or your country are on, this group has the right to organize and protest.

“Artists Against Apartheid Declaration of 2010: Artists Against Apartheid is an international alliance committed to Equal Rights and Justice, and the elimination of apartheid in our world. While crimes of apartheid are ongoing in Palestine-Israel, we will stand in solidarity with the Palestinian call for Boycott, Divestment and Sanctions (BDS,) and the cultural boycott of Israel.”

A quick search on ‘artists against discrimination’ nets hundreds of thousands of results, from all over the globe, from Australia, to France, and to Mexico, with all stops in between and around.

We don’t hear much about the Guerrilla Girls, a protest group launched in 1985, that call themselves “the conscience of the art world.”  And as they admit, after 30 years of protest, there’s been very little change.

ageism after sexismNor do we hear about the U.S. Equal Employment Opportunity Commission receiving more than 19,000 age discrimination complaints in each of the past two years.

That’s why it’s important when artists of Springsteen’s stature take a stance on injustice. As he said, he could have confined himself to making a political statement from the stage during the concert, but cancelling the concert, which officials have told the media will cost the Greensboro Coliseum a loss of about $100,000, “ is the strongest means I have for raising my voice in opposition to those who continue to push us backwards instead of forwards.”

Most of us can’t make a big dent on injustice. The old saw about ‘voting with your wallet’ can certainly help turn the tide in some commercial issues,  but when governments pass laws that cause companies to decide against investing in your state, and artists to refuse to entertain you, the dilemma that the Religious Right and many Republican states must face becomes clear … as much as you may want and need jobs and entertainment, you’re gonna have to decide which is more important –  your fiscal duties or your need to control other peoples’ genitalia.

It’s The War on Christmas, Carol


by Roxanne Tellier

As hard as it might be to imagine holiday songs battling it out, the plain fact is … Christmas songs mean big bucks. Over and over and over again. A Number One Christmas song can mean early retirement for the writer, with a nice pension income supplemented every year in December.keep calm xmas songs

Sound cynical? Maybe. But it’s the reason why many writers and artists get their ho-ho-ho’s in gear in time to hit the December charts. Pop songs come and go; a classic holiday song lives forever.

Picture “Jingle Bells” pummelling “Santa Claus is coming to town” a la UFC, though I would think songs like “The Christmas Song” and ‘Silver Bells” would never lower themselves to a fight. Perhaps they would slap each other’s little faces with their velvety gloves, and request a sunrise duel.

I tell you, the battles are real. In England, perhaps more so than anywhere else. Being an unrepentant Anglophile, let me fill you in on some of Britain’s most infamous chart races.

“In the United Kingdom, Christmas number ones are singles that are top of the UK Singles Chart in the week in which Christmas Day falls. Novelty songs, charity songs or songs with a Christmas theme have regularly been at the top of Christmas charts. Traditionally the volume of record sales in the UK peaks at Christmas, with the Christmas number one being considered especially prestigious, more so than any other time of year. Many of the Christmas number ones were also the best-selling song of the year. Due to the common practice of dating a chart by the date on which the week ends, the Christmas chart is dated on or after 25 December, but comprises sales for the week before Christmas.”

“The official UK Singles Chart slade merry xmasbegan in 1952 after appearing in the New Musical Express; the positions of all songs are based on week end sale totals (from Sunday to Saturday until 2015, then from Friday to Thursday). Before 1987 they were released on a Tuesday due to the need for manual calculation. The emergence of a serious contest for the Christmas number-one spot began in 1973 when the band Slade deliberately released “Merry Xmas Everybody” as an effort to reach the top of the charts on Christmas” (Wikipedia)

Yep, the furious fight for #1 first took shape in 1973 in Britain. Three songs were vying for the top spot; “Step into Christmas” from Elton John, “I Wish That It Was Christmas Every Day” by Wizzard, and “Merry Christmas Everybody” by Slade. The numbers were close, and since these were the days before computers were commonplace, the tallying went on right up until the last moment.

wizzard xmasElton stalled out at #36, while Slade and Wizzard held their collective breaths … Wizzard took a respectable 4th place, and it was Slade by an angel’s hair! It seems most Britons preferred their seasonal greetings shouted at them. Still, 40 plus years later, both songs continue to enrich their writers, and keep the British public dancing.

“”The Performing Right Society put out a statement saying Slade’s Merry Christmas is the most heard song in the world because royalties come in from more countries than for any other song. The estimate is that it’s been heard by 42% of the planet, more than 3 billion people, whether they wanted to hear it or not.” – Jim Lea, Slade.

and those losers in fourth place ….

Things settled down for the next decade, but by 1984, another battle caught the public’s attention. Bob Geldof/Midge Ure’s Band Aid release, “Do They Know It’s Christmas,” was tugging at our hearts, and the video, with it’s array of current and venerable pop stars, was delighting the little girls. But no matter how adorable George Michaels was in Wham’s, “Last Christmas,” Band Aid took the prize.

Both songs were re-released the following year, so George had another kick at the top spot, but alas… only came in second for the second time in a row. Maybe that’s what sent him off in his quest for love in all the wrong bathrooms.

Hey, it’s not like the British taste is always impeccable. In 1993, Mr Blobby’s song/video took the Number One spot, and it wasn’t even about Christmas.

And in 1994, a boy band called East 17 kicked America’s perennial fave, Mariah Carey, and her “All I Want for Christmas is You” to the curb. No accounting for taste.

In 1996, 97 AND 98, The Spice Girls took the Number 1 spot each year … with “2 Become 1,” “Too Much” and “Goodbye,” none of which had much to do with the holidays at all. But it was the 90s – little did we know worse was to come.

Ah yes, it’s a mad world … speaking of which, Gary Jules’ cover of Tears for FearsMad World’ did indeed win out over Britain’s Pop Idol contestants, and their cover of John Lennon’s ‘Happy Christmas (War Is Over)’ in 2003.When the Pop Idols fizzled at #5, glam rockers The Darkness tried to sneak in with ‘Christmas Time.’ But that was 2003, and we were all pretty bummed out that year. “Mad World” suited us just fine.

By the 2000s, reality show pop singers were dominating the British charts, but in 2009, Rage Against the Machine snatched the Christmas victory away from X Factor winner, Joe McElderry, with their song “Killing In the Name.”

Just how big is the big biz in holiday songs in England? It’s a huge market, and those who capture their nation’s imagination earn a permanent place in the hearts and pocketbooks of the fans. Shane MacGowan of the Pogues is said to have effectively retired on the proceeds of “Fairytale of New York“, which he performed with Kirsty MacColl. The song went to number two in the UK charts when it was first released in 1987. It was kept off the top spot by the Pet Shop Boys’Always on my Mind’.

shane macgowan new teeth.jpgFun Shane MacGowan facts: 1) He was born on Christmas Day, 1957, and 2) he recently had his famously horrendous teeth and lack of replaced by implants, in six surgeries that his dentist called “the Everest of Dentistry.” The whole process will be aired on SKY-TV this week, in a documentary entitled Shane MacGowan: A Wreck Reborn. 

So who’s vying for that coveted spot this year? The Biebs is looking good, bieber xmas.jpgas he’s currently dominating the British charts, holding both numbers one and two with his songs Love Yourself and Sorry, respectively.

But close behind, and with a good chance to scoop the honours, is the Lewisham and Greenwich NHS Choir ,all professional health care workers, with a new release of a mash-up of Simon and Garfunkel’s “Bridge Over Troubled Water” and “Fix You” by Coldplay.

There’s a big reward waiting for those who climb the British Christmas charts, and the contenders will battle to the finish, with no place too low below the belt to avoid. How big, you say? Big enough to even dig out the disco, as this holiday release from Kylie Minogue demonstrates … only a cynic would say that everyone but Kylie seems to get the joke …

With visions of discoing Minogues pirouetting and bumping in your heads, it’s time for me to be off to our family’s Christmas celebrations. Happy Whatever You Call it to ALL! Thanks for reading my offerings during 2015. Have a wonderful holiday season. Hope you see you, all perky and fresh faced, in 2016!

New-Year-2016-Celebrations-Photos

(originally published December 20/2015 … bobsegarini.wordpress.com/2015/12/20/roxanne-tellier-its-the-war-on-christmas-carol/)